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Parents and Teachers

Arts for Action, an experimental advocacy project involving parents and teachers, ran training workshops, conducted public forums, attended local school board meetings and used theater techniques to involve the local community in brainstorming innovative solutions to the race, class, language and gender disparities in academic achievement in the Cambridge public schools.
more about this Community Program

 

Student Organized Forum on The Miners Canary,
April 2002

"Students put together a forum for approximately 150 participants at the Kennedy School. They raised the money, organized the panels, and did all the publicity. The subject was Rethinking Race and Power to Build Multiracial Coalitions. Although the formal panels were conventionally organized, the students invited community activists and spoken word poets, including high school students from Freedom Academy, to re-enact the ideas in less academic language. Audience members did not just sit passively to listen to speakers. They joined small groups to perform role-plays that enacted the themes of the conference: the strengths and weaknesses of coalitions.

"The audience was invited to participate by forming a huge semi-circle. They were introduced to exercises involved images of the word "power" in both its oppressive/controlling dimension and then later in its collaborative/generative potential. Groups of 4 - 6 people (mostly strangers and quite heterogeneous) created physical images (with their own bodies) of power. One group stood in a semi-circle of people linked hand to shoe. This was a graphic demonstration of helping behavior but it was also unstable as everyone was standing on one foot (a fit metaphor). My group, including a high school student, a dean of students at the Kennedy School, a former K School student, now an Asian American community organizer, and a black K School Fellow, created a merry go round in which we each joined one hand and rotated slowly, leaving the other hand free to pick up new members. At the suggestion of the high school student, he moved in the same direction as the rest of the group but walked backwards to signal the existence of dissent and diversity within our group. The exercises crystallized the more abstract themes of the panels in ways that truly resonated with the audience."

Lani Guinier


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